A selection of work with 20th century artist estates and foundations.
01
Richard Diebenkorn Foundation
A long-term partnership to expand critical appreciation of the distinguished American painter, draftsman, and printmaker through a unified public presence integrating strategy, identity, communications, digital, and archives, including the careful shepherding of two catalogue raisonné projects through public release.
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Richard Diebenkorn in the Hillcrest Road studio, Berkeley, CA, c. 1957 © Richard Diebenkorn Foundation
02
Hung Liu Estate
Supporting the transition from a groundbreaking Chinese-born American artist’s studio to an estate through strategy, visual and verbal presentation, archival research, object photography, and dynamic online and offline public engagement.
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Hung Liu with her triptych painting Branches during an artist residency at Capp Street Project, San Francisco, CA, 1988, Photograph by Ben Blackwell, Courtesy of Hung Liu Estate
03
Paul Harris Estate
Recovering a lesser known and overlooked adventurous postmodern artist through deep archival research, new scholarship, a vivid identity, institutional activities, and a comprehensive centennial initiative.
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Paul Harris with his sculptures Lamp and Coffee Cup and Gallon Jug and Others in his home in Bolinas, CA, c. 1967–73, Courtesy of Paul Harris Estate
04
Jay McCafferty Estate
Reintroducing and resituating an adventurous Southern California artist through archival research, new photography, identity, digital platforms, and museum and marketplace engagement to build renewed interest in his distinctive solar burn works.
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Jay McCafferty at Point Fermin, San Pedro, Los Angeles, c. 1968 © Jay McCafferty Estate
05
Mary Ann Unger Estate
Repositioning a pioneering feminist sculptor and her place in the male-dominated New York sculpture scene of the 1970s, 80s, and 90s through new scholarship, exhibitions, public programming, media, and institutional engagement, encouraging a broader reappraisal of her monumental work.
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Mary Ann Unger at her East Village Loft, New York, NY, 1975, Photograph by Geoffrey Biddle
06
Kaish Family Art Project
Conceptualizing and executing a centennial initiative around a lesser-known body of work by a trailblazing New York City sculptor, beginning with an intimate exhibition of her rarely seen Burntworks and extending through new scholarship, public programming, media, and marketplace introductions.
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Luise Kaish at Modern Art Foundry during preparation for the casting of Christ in Glory, c. 1965–67, Courtesy of Kaish Family Art Project